Illinois To Do
Dividing Lines, Twice Removed: An Overview of Bani Abidi at the MCA
Illinois To Do
•
Apr 1, 2022
Critiquing the Spectacle: A Review of Jake Troyli at Monique Meloche
Illinois To Do
•
Mar 25, 2022
Lines of Control: An Interview with Azadeh Gholizadeh on "Dawn to Dusk" at Goldfinch
Illinois To Do
•
Mar 21, 2022
Animated Improv: A Review of Deborah Handler at Produce Model
Illinois To Do
•
Mar 18, 2022
Pebbles in the Sea: A Review of Unseen Things Are Still There at Riverside Arts Center
Illinois To Do
•
Mar 7, 2022
The Art of Organizing: How The Art Institute and SAIC Formed a Historic Union
Illinois To Do
•
Feb 28, 2022
Strange Confederations: A Review of Aya Nakamura at Western Exhibitions and Megan Greene at Regards
Illinois To Do
•
Feb 21, 2022
Pixelated Utopia: A Review of Hyper-Contemporary at Real Tinsel
Illinois To Do
•
Feb 18, 2022
Complicating the Narrative: A Review of Them at Roots & Culture
Illinois To Do
•
Feb 16, 2022
The Subjectivity of Seeing: A Review of Hali Palombo at Elastic Arts
Illinois To Do
•
Feb 4, 2022
Forthcoming Systems of Care: 062 Stages Candor Arts Retrospective
Illinois To Do
•
Feb 2, 2022
Closing the Gap: How Black-Owned Art Galleries Are Shifting the Market Through a Focus on Equity and Identity
Illinois To Do
•
Jan 31, 2022
Earthly Delights: A Review of Dan Gunn at Monique Meloche Gallery
Illinois To Do
•
Jan 26, 2022
It's All About the Paint: A Review of Brendan Getz at Carrie Secrist Gallery
Illinois To Do
•
Jan 21, 2022
Seed to Art: Melissa Potter on the Invisible Labor of Plants
Illinois To Do
•
Jan 17, 2022
Recontextualizing A Monument: A Review of Throne by Ted Sitting Crow Garner
Illinois To Do
•
Jan 14, 2022